from his roots in early italo disco , a sound that inspired him since his childhood, this mysterious producer comes out with a genuine gem of pure balearic and disco mood, among the use of real hardware and various instruments creating this classic extended disco version that sounds in an actual disco edit style, even if the song is brand new. leading the voice is the huge, a magical voice and multi instrumentalist from italy: the combo between the two is explosive, mellow and at the same time light and pure. then the remix by melchior sultana, famous for his collaboration with owen jay on jus eds label (underground quality), creates a magical and elegant slow tempo version, chilled and funk at the same time, with a totaly new mood and some real rhodes and guitar played and sequenced in an akai mpc sampler. last the house electro disco dont play minimal, play minigolf, that follows a hypnotic mood bass synth, accomplished with ethereal chords and a super funky trumpet, sampled directly from will powers masterpiece of the early 80s…. ta ta taaa

new release on qalomota records with the main group joyful noise. we can say that we have douzens of unreleased tracks of joyful noise. so we decide to present you this project with one unreleased track >drive in< made in 2002 this track represent the real essence of the group. soul, jazz touch in one fucking deep house track. for the joyful noise followers who like this smooth touch in house music. b side is also an old tracks but never release on vinyl. your soul, my soul, two mixes, like it says in their names, one for the morning with piano and happy feeling touch and one for the evening with groove and dancefloor definition. once again a classic release in qalomota records catalog!!!

twenty-five thousand head of the righteous at the first gate. ten thousand at the second gate. twenty thousand at the third gate. eighty-five thousand at the fourth gate. twenty-five thousand at the fifth gate. ten thousand at the sixth gate. ten thousand at the seventh gate. twenty-five thousand at the eighth gate. forty thousand five hundred at the ninth gate. forty thousand five hundred at the tenth gate. four thousand and five at a tenth gate. >thanks for purchasing a real copy!<

tuccillo is a rare producer as he lives and works in ibiza all year round rather than flies in for the summer. the white island is without doubt the most overused and abused place on earth for dance music promotion, but beneath the glam superficial surface a real scene of native island talent is emerging. so when it came to making an ep for 2020vision we pushed the artist as far as we felt he could go, to explore new untried directions and show his diversity. tuccillo showed his true spirit and worked though a few knockbacks from our a/r team until we were happy we had the best ep possible at this moment

fantastic and incredibly rare afro-disco album from 1978. originally released on the seminal french disco label barclay, this album seamlessly blends elements of african, afrobeat, funk and disco styles, with segments continually morphing and evolving into new tracks. irresistibly funky and percussive, this album’s drumming patterns and melodies grandually hypnotise the listener, with only outbreaks of african chanting breaking up the grooves. the b-side is effectively one long drum track broken down into 7 segments that never drop a beat. this album really takes the listener on a journey to africa, via 1978 new york, and is a real one of a kind. it’s also a samplers dream with no end of complex drum patterns and basslines to recycle.

sampler #3 from the global communication back in the box compilation album, the techno and ambient retrospective selected by tom middleton and mark pritchard, back together again after a 15 year hiatus. opening up this seriously hot four track ep is an ultra rare and often overlooked carl craig remix of yennek, aka kenny larkin. two detroit pioneers collide on this beauty, with delicate oscillating keys gliding over a heavyweight breakbeat and clattering hats, a signature style of carl s. the track really kicks in with the bassline and monumental pitch bending synth stabs. a real must have for anyone with a love for the original detroit sound

>supergravity<, a simultaneously gritty while ambient track of the highest order, recalls not only drexciya and the detroit underground in its prime, but the ambient techno hey day of artists like the black dog and the inimitable lfo. >atlas detection<, with its subsonic rumble and pins-and-needles like synths is music for the dancefloor at the ripest darkest hour. harnessing noise in the most seductive of ways, it is undeniable in its extraterrestrial appeal. >andolit swaras< displays the minds of minimalist composers, with its striking approach of having its melody lead the narrative it tells- as opposed to dancefloor traditions of rhythmic domination. it is intelligent and dream-like, sublime and filled with reverie, as random as the dreams that ones psyche presents. lastly, they give us a real bite into a slice of phuture hip hop. working with sensational, legendary mc for the jungle brothers, they twist hip hop into an acidic downtempo track that hits hard to say the least. its a dubsteppers dream on some level, but with a crafty psychedlic component that mesmerizes.

so here we go again, dj mehdi and riton are carte blanche. cant stop, wont stop. the new ep is called white man on the moon, and includes smashing jack on the moon, and next single with you, featuring alexis taylor from hot chip on vocal duties. the new mixtape is called house party 2: the pyjama jam. and last but not least, the new tour is called carte blanche revue, its worldwide, its djing and tr-909ing, its rollerskate dancing, its popping, and its locking (for real)

returning for a fourth ep on the label, berlins nick höppner continues his exploration into an ever-developing and rich production vocabulary. the rough goes with the smooth in perfect harmony on -a peck and pawn-. höppners unique sound design leads to a dense wash of sound sparkling with airy details and his characteristic sub bass subtleties, as the whole track gels together in a pushing modern house triumph. the spaced out and traveling -she parked herself- is a real fusion of the many influences behind the producers inspiration. bubbling percussion and pretty melodic structures fuse with a melting analog bassline in this high-tech and positive jam. with its heavy bass and late-night atmospheres -swivel flick- slows the pace in a warm, dubbed and droning thinkpiece that is just as cinematic as it is direct for the club. jostling just beneath the surface youll find a wealth of details that really shows off nicks talent and dedication to a non-standard groove

a1: can you understand - trademark nicholas sound, brilliant percussion and moving synth, warm bass and a superb sample combo. excellent!
a2: if this world - old school house vibe with the keys on this track. hypnotic vocal throughout, great idea and execution. awesome bassline! killer!
b1: world of confusion - beat down disco, 85 bpm on this one. a real gem, slow groover. awesome percussion, vocal will stick in your head for days! brilliant!
b2: i know a place - keeping with the beat down vibes. great vocal, horns with a brilliant beat, percussion is superb! big track!

the ep opens with >hypnotic bass<, a track with a very groovy gnaoua rythm. the sound of the guembri gives the production a very warm sensation. next up is >deep medina<, the title track. a real journey, the vocals are strong while sidi mohammeds lute elicits shivers. the melody manages to sound traditional while modern at the same time. >for hou!!!<, the closing track, philip bader perfectly works the acoustic samples, resulting in a characteristically berlin minimal sound. the kick and the bass are very heavy.

a new name appears in the hispanic techno scene: architectural, label and author, all in one. but who is the mind that draws the plans with this new pseudonym. we still ignore it, but this one, who has wanted to give free rein to the creativity that beat under his skin, has sculpted the first tracks that you will be able to listen, from a solid matter base composed by pure sonic techno with minimalist touches from chicago, with detroit streaks and forged alloy derived from the most genuine soul. this powerful building begins to rise, makes its foundations and basic structure in these architectural series, that present us the impacts, snaps and warping that a real construction team realise with their hard work, exploiting a dark desolate waste ground, following the architects indications, who generate, in his mind, the entire project that will rise in our ears.this interesting project will be launched in classic vinyl, as well as in digital format. do not lose the opportunity to give yourself the first creation, of the new referent of mental techno of spain, it is going to set a lot to talk about..and to think

hypnolove are a cult band from toulouse, in the southwest france. their first album >eurolove< included the french pop song >mademoiselle< which featured across french national radio stations, a kiss cover (i was made for loving you), a feist featuring (bitch lap lap) (but sshh, no one is allowed to mention her real name, she became famous just after recording it) and even a punk track! the album was going places. nothing short of brilliant, but alas, audiences had a hard time understanding the logic of it, which of course was simply the songs, the taste, the musicality and the talent!dj-support from tiga, busy p, steve aoki, pilooski, the magician, munk, jerry bouthier, rory phillips ...

in 4 years anile has steadily established himself as a underground d&b solider. this release for spirits label is a absolute stomper >exclusion zone<. real heavyweight d&b with no cheese. the flip >code of conduct< by anile & dakosa rolls out controlled techoid fun pressure with super weighty low end sub-bass. sinister music for the real d&b heads, perfect to mix, perfect to make you move.
dj support loxy, spectrasoul, d bridge, total science, s.p.y, lenzman, ink, manifest, raiden, spirit instra:mental and gremlinz, anile is certainly one to watch in 2011.

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

the berlin-based partnership of long-time friends steve bug and clé has reared many a classy deep house tune in its time… their classic silicon ballet ep from 2007 led us heavily into their sound, combining melodic, blissful elements with the heavy vibes of the old-school acid days. now were due another full ep with seven hills. the title track is a refined, long-playing stormer - perfect for the coming months as the summer weather stirs up open-air fever! from humble beginnings a riotous, epic track grows fusing the poker flat boys patented analog production and natural ear for a melody. heartfelt strings draw the track to its finale as a teasing breakdown arrives around the 6 minute mark. this is a real slow-burner in the best sense of the phrase. the more urgent monkeyshoulder drives a deep blazing night-time vibe all the way home. smooth, filtering chords and spacey stabs swirl in a magical futuristic-yet-classic house jam. simply deadly in the right moment, this bright and dynamic production really does justice to the pairs talents

big with: chris carrier chris lattner, chris wood, nick curly, jimster, luke solomon, varoslav, mr. statik, tini, technasia, steve lawler, robert dietz, retrac, osunlade, dan drastic,.. our second imprint on >deep series< features an up-andcoming artist from moscow. as a studied pianist kammerton knows the fine art of funk and soul, which serves him well in writing mesmerizing deep house and dub techno. his dj-sets have been compared to the likes of moodyman or theo parrish, giving you high quality unapologetically. on the a1 you will find >take off<, a funky house tune founded on subsonic bass-rolls underneath gently tweaked sequences. this groove to make you move will get any floor going with its characteristic live arrangement. >infuse< on the flip is somewhat slower at 110bpm and surprises with broken beats, chords and vibras - the real funk. the b2 >fosters hats< has shown its full potential in the club, with a steady build-up of drums and chores. this peace of black gold belongs into every house-dj bag!

disco nihilist is a rather special project. firmly rooted in the us-american electronic music traditions, mike taylors records on love what you feel or construction paper roam the grey are between chicagos jack urgency, detroits funky machine soul and the raw magic of vintage drum machines. his style is natural, murky, filthy and raw to the core. the six track ep >running (far away)< for running back is an exercise in grinding beats, squelching acid lines, graceful pianos and heartfelt rhythms without any paralyzing retro romance. it is what it is. get a piece of the real bread

2000black is back on wax with 2027black, a huge release from shokazulu.
a-sdie: part 4 - funky bass really stands out on this track. cool synths, keys and an awesome groove from the percussion. big, big track!
b-side: dis yah one i love - heavy track with a garage feel to it. breezy synths tie it down but the real focus is on the percussion, the beat is tremendous!

>red agent< is one of the only fully-solo tracks by disaszt on the album, and shows the austrian is just as comfortable alone in the studio as he is joined by his impressive roster of collaborators. dropping with a warm, rounded bassline and frenetically passed drums, >red agent< relentlessly steps away, and manages to bring a real jump-up flavour without ever resorting to the obvious.<br >/ram trilogy triumvir and all-round d&b legend shimon joins forces with disaszt on the flip, continuing a relationship thats already seen past collaborations and disaszt releasing for the englishmans audio porn imprint. a real highlight of the album, >snakey< makes for a welcome single release, with its eerie soundscapes, snarling bass licks and ultra-fresh sounding production. watch out for the cowbell.

following ryan davis debut >routes of life< on traum in january 2011, his high acclaimed follow up shows ryan is a real tastemaker but also a real club rocking musician. few artists in the electronic modern dance scene of today make music that seems serious and intense... and still accomplishes to have club people go wild on it. it is a bit of a lost treasure of the golden techno days, ryan always reflects in his music when he creates moments of beauty with an collective fee to them. ryan davis in one of them and his new ep shows that side even more than his debut. a-side track supernova brings images together of psychedelic west coast soundtracks of the 70ies, pop art, shoe gazers and maybe salvatore dalis surrealism.

if we add a new label to electronic music, is it really needed, wasnt music originally unlabeled? - lads contemporary productions could be called anticipated techno, architect techno, or architechno. these two tracks are simply brilliant and beyond what i have heard to date. the way lad is building space procures the feeling to be part of the music, to be in it, swallowed by it. >isolate< and >bergvall< are just two hypnotizing masterpieces, transporting you into unknown and untamed territories. deep, soulful, cinematographic, intriguing, moving. my drug is music. from 2d to real 3d chills. vanina hänin woods, forests, deep and dark spaces, like if kubrick, kurosawa and marinetti would have gathered together to produce music, simply highly cinematographic and futuristic. lad builds up organic visions, redefying sound in such a personal way. definitively two superb, soulful, finely shaped and constructed electronic pieces which will undoubtedly make you dance the night away. (dan lagardere)

the band recorded cadenza last summer locked in a salford basement experimenting and stretching their songs into new and unexpected shapes. produced by brendan williams and phil bulleyment they’ve created an album that, whilst drawing on the eccentricities of sparks, the piano methods of steve reich and the unhinged prog-pop of the cardiacs, has at its heart a real pop pulse.

nice price deal !!! yes yes people, we are back! its been a while, but we are going to be hitting you with some seriously good tunes this year, so watch this space. anyway, on to the music: if you like your tunes big fat and heavy like an elephant on steroids, then get ready for an absolute pasting from new boy on the circuit, depone! depone is a producer that has really caught our ear at the z audio towers of late and when you hear these tunes, i m sure you will understand why. all 3 tunes are fierce, dirty, gritty, disgusting and overall very well produced. the great thing about depone is that he manages to create in your face music without pointlessly wobbling the lfo filter. theres some real depth to this young talent and i m sure you will be hearing some more great music from depone in the very near future.

bermuda is a rare project from kimmo oksanen and roberto rodriguez. fusing synthed out deep house and disco vibes the talented pair have crafted a real blast from the past with the super cool retro styled ihasama. the release comes in three fantastic versions. firstly the thrilling nacho marco remix fuses 80s vibes with a modern approach as he twists the originals synths into an old school jacking house jam! the extended club music edit sees oksanen and rodriguez open up the energy levels with a more discofied, running mix. subtle key changes and some genius instrumentation really bring this mix to life, as its rousing synthlines do the business. finally up and coming uk producer jay shepheard reinterprets ihasama into a funky, light hearted jam thats perfect for the summer sun. soft strings rise and fall before a walking bassline brings it back it back home. more great work from this growing talent!

new vocal 12 inch on wph....tip! it should be obvious by now that we here at the wph camp are keen on real vocals. so while the rest of the world is busy sampling and recycling vocals from the past, leave it up to us to pick out those tracks that feature fresh and home made vocals. although wph 012 by dj yellow also indulges in a little bit of recycling, or rather good old fashioned licensing. the title track >night in tranzylvania< has been a huge favourite with label boss red d and his belgian crowd ever since it was released on the criminally overlooked album >intermission< on project recordings in 2008. but now it is back in all its glory and supported by >angels part< a killer ambient track which also featured on that album album, >je tm<, a new track by dj yellow and a russ gabriel remix of the title track.

mister saturday nights eamon harkin dishes out another dose of rocking revamps on this the second release from his subway series imprint. this time the throne of blood man takes three numbers which should be somewhat recognizable to discerning ears and mutates them into jams designed firmly for the dance floor. >party out of sight< is a superb re-work of the bill withers seminal harlem. this edit made its first mark a few years ago in an earlier guise on mp3 but has now been further spruced and improved for wax. >the better kind< stretches out joy divisions >means to an end< and underpins it with a rocking drum pattern whilst >turn up the funk< is an excellent re-work of the proto hip-hop number >shoot the pump< from back in the day. a real bumper package!

the black tokyo project cd has been very successful for the enigmatic duo from detroit along with their two new japanese members ice truck and erika. remix sessions 1 embodies some of techno music hottest and charismatic artist such as bpitch control ellen allien, planet es keyboard guru niko marks from detroit and canada live impresario arthur oskan. ellen allien remix real to reel gives a tight minimal beat driven retake on an aux 88 funky groove. rounding out side a aux 88 original previously only available on the full length cd. side b shows why niko marks can take the >title track black tokyo< in a more kraftwerken sort of way with heavy beautiful strings and funkified groove. soul of black shows arthur oskan dance production skills as he delivers a bonafide minimal bass driven delight.

the underground electro series by city beat records continues with a mindblowing vol. ii, featuring 18 artists from 10 different nations around the globe that make it the ultimate, new electro funk and rap compilation of the year 2011. as volume 1, this double album is strictly limited to 300 copies and no repress! tracks by artists such as arabian prince, t la rock, dj salva 808, debonaire, planet patrol iii, jock d, freak force crew.

popping up on labels like 8bit, supernature and tsuba, releasing quality tech-house and club-assured cuts since 2008, we are delighted to welcome german producer alex niggemann to poker flat. this new ep raises niggemanns game with three tracks taking in heavy acid bass, chicago-house vibes and inventive, smooth flowing arrangements. >lately< is a real stomper in the classic poker flat tradition. haunting, acidic, modern, club guaranteed! niggemann twists a spooky and funky synth line around a heavy old-school house vibe, complete with a thoughtful smokey-voiced naration. >madness< lifts the tension higher with a sub-heavy chigaco bass attack, 2011 style. alex has fused the best of both old and new and found a new sound that leaves behind rigid sound in favour of more funky, warmer and totally fresh vibes! the ep concludes with >smash your face<, a groovy houser that rolls wonderfully with more growling square wave bass and plenty of details to keep the flow nothing short of riveting!

nice price deal !!! lipservice are proud to welcome a new addition to their label roster. out of city are a tuscan based trio and are no strangers to the scene. having already worked with labels like eskimo and dc recordings they make a melting pot of sounds with their fingers and thumbs!
in dino storai, simone fedi and nicola lopetuso we find a band that seem to effortlessly combine synth music with disco, rock and punk, and their forthcoming lp for lipservice is a real joy to listen to from start to finish.

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...

les freres smith - the smiths brothers - is a paris based 14 piece collective specialized in afrobeat and ethio flavoured grooves. these music smugglers are touring the french and european scenes for more than 10 years, always with the same blasting energy. well known for its explosive live interventions, the band is now releasing its first real album after various collaborations with artists such as tony allen, the souljazz orchestra, kutiman, franck biyong, or kokolo, among others. be a smith, be a smuggler, enjoy it now!

two cover versions taken from the essential album gitano real. >i believe in miracles< is an overwhelming take on the jackson sisters classic in a rumba funk fashion. party stomper! and on the other side, a longer trip departing from mcfadden and whiteheads seminal >aint non stoping us now< and touching the revered latin disco version of charanga 76, only to end up as a fabulous clap-driven rumba stormer. two very necessary sun-soaked tunes for any self-respecting dj on neat transparent yellow vinyl. and yes, its a limited edition!

petros (aka echonomist) understood that apparel music is always looking for the jazzy. we perceive this term as a really special thing, strictly human, true. and then if the real instruments come in, like voices or saxophones, the plate is ready. >thats it< starts far away, with a solo that blends and presents the entire ep something more than one minute. everything flows, stops, gets consumed, digs. >midnight talk< brings us in the most hyper deep, unusual like the style of the artist is. an overview of evolutions that lead us to the awareness that petros is in our day, between things that go fast and others that slow down to be observed. the law of nature brings us to ali kuru remix (we move a little bit to the right from greece to turkey). habits, perceptions and tastes change. ali takes us on a mental journey, long, meditated, tidy. a motif that turns over and over, while things change all around, everything evolves, disclosing new sonar places. there is not much to say. >midnight talk< is a complete ep, wanted, constructed with care and a lot of work.

180g vinyl, heavy duty plastic wallet. original sleeve design and inner bag. real collectors item, limited pressing.

grime has been clawing its way back to the centre of underground uk music in a big way recently, riding a new wave of credibility in futurist iterations from terror danjah, hyperdub, and butterz. but with the rising profile of figures like slackk and the eski-aping sound of becoming real and sometimes jam city, theres been a pseudo-lionization and a growing mythology surrounding classic grime. honestly, its been a long time coming, the music is legendary for a reason. terror danjahs new(ish) hardrive label takes a bold step in 2011 with a sharp look back-ward, and in typically cyclical fashion it feels perfectly now. dating all the way back to 2004, p jams >anger management< is a minimal monster of a tune, slamming with the same slurred and blurred percussive elements of wileys essential >ice rink<.

a duo to watch closely throughout 2011 and beyond drop 2 minimal punchy blinders on dispatch. skeptical and dub phizix come more than correct with >silo< and >the enemy< and it appears we are not the only ones that love these 2 tracks as they are getting a rather heavy dose of support from the likes of skream, d-bridge, ant tc1, octane & dlr, survival, loxy, nymfo, teebee, vc and ulterior motive! watch out for more from these 2 on the label real soon!

already known as one of the most influential artists in the dub techno scene, with releases on labels like styrax, echocord and quietus, quantec delivers analog responses first release, that will be an authentic masterpiece for the well estabilished collectors as well as for any farsighted music lover! his already demonstrated versatility in the fields of dub techno and dub ambient, extends this time with a personal intepretation of higher level dancefloor music, as you will notice on this 3 tracks ep. the resulting record is a real must, but its only available on limited press!

sasha carassi is one of the best italian techno djs and producers. since 2002 his immense output gives the worldwide techno scene a lot of exciting material. numerous releases on labels like drumcode, sleaze, respekt recordings, 8 sided dice or driving forces he gained a lot of attention and in the following teamed up with artists like joseph capriati ,adam jay, brian sanhaji,spektre or virgil enzinger. his latest release on harthouse called >white sucker< last year was massive. now we are absolutely positive that sasha carassi, founder of globox and cofounder of phobiq should be part of the harthousefamily. with the a-side track 3 44 sasha takes off with everything important to a good techno track: a nice innocent intro takes place and blows everything off with the entering beats and percussions. the twisted use of science fiction sounds sets interesting highlights what makes the track a real peak time pearl. the first track on the b side continues energy and charakter of >344< but turns the meaning of synthsizer use into a bit more psychological torture porn.

serbian producer milenko subotic behind the machine for the 5th release of french imprint sharivari records. after sharing ep,s with technasia, orlando voorn or atjazz, subotic presents a powerfull 4 tracks record, showcasing his love for the analogic sounds and his usual straight and raw beats. expect some killer piano samples, deep chords and raw & hypnotic acid sounds. 300 copies pressed on grey marbled vinyl.

equinox records celebrates its 25th release with a deluxe limited edition box set. containing a 7inch, the main part of the beautiful collectors box is a 50-minute audio cassette (yes, a real tape!) featuring two incredible equinox megamixes by buddy peace and phonatic.

ltd backstock !

supported by luciano, douglas greed, gorge, the glitz, mihalis safras, kombinat100. spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and open-minded approach to electronic dance music on his debut album. the first track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and fluffy manner. the lively hustle and bustle on the hidden playground happens in many different ways: sometimes it s the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

toyfriend music brings you the real gem! bac 1-11 from j-t kyrke (naked lunch, impact mechanics) is an epic dancefloor bomb as you can expect from toyfriend. the remixes are strong as much as the original mix is. while bas mooy (audio assault, planet rhythm) leads the tune in more purist techno direction, mattias fridell (tonal path) rebuilds the track into dirty underground dub stuff. support comes from tom hades, eric sneo, d.a.v.e. the drummer, audio injection, hertz, gayle san, john karagiannis, dj hi-shock, lars klein.

italian uprising artist frankyeffe is the one to continue the dark tradition on 43 recordings, and he does well just as he does on his every weeks residency on the traintek partys at romes rashomoon club playing alongside people like speedy j, edit select or sasha carassi and many more icons of real techno. he keeps things simple, but very effective, music which is nothing more or less than produced for causing riots during on the dancefloor peaktime. xhins remix on the flip is a really experimental apporach to the original, trcky rythms and he managed to create a totally new essence of the track. masterpiece of remixing, so dont be scared to try this on the dancefloor.

having opened 2011 with the splendid debut by young and talented ana helder from rosario (argentina), comeme is back with its third release this year and is as usual a display of unpindownable style that demonstrates once again these musicians have a firm understanding of rhythms and dancing and, most of all, want to communicate to very different people and not just to a certain musical context. chilean pop is a true special ep that digs up comemes connections in santiago de chile and sees some of the most beloved artists of the label remixing a couple of bands from the current and awfully exciting underground chilean pop music scene, a real breeding ground of young music talents at the moment.

humandrone from japan featured on this lemon yellow release from we play house.
marked firmly on our soundcloud page and in various publications: wph does not accept nor listen to demos. a way of working that was shattered when one day red d found a real physical demo in his postbox. from a galaxy far far away called japan came humandrone a.k.a. takaaki shibuya, with his twist on jackin chicago rhythms. a twist deeply melancholic, almost detroit like, showing us that chicago music can be both jackin’ and musical at the same time.